The history of comics includes a great deal of sexy heroines. From the chaste Jane to the science fiction Barbarella. Many of them come from Italy: see Valentina, by Crepax (recently died); Mona Street by Frollo, and Manara's characters. Alula Be Bop, however, has a particular characteristic of her own, which makes her different from the other characters, of comics and of the movies. And also different from any real woman, although she looks very much like the famous porn star SaRenna Lee.

By the way, the destiny decided that resemblance, not Max Capogna, Alula's comics creator. Alula was born as a pure erotic charge, which breaks out not only from her superabundant figure, but also from her attitude, always definitely open to all possibilities of eroticism. Provoking by nature, yet innocent in her attitude, Alula goes across time, space and characters, apparently unaffected, candid and immediately available for any adventure with no bar: with men, women and beings of any nature, active or passive, sadist or masochistic. Her body always exceeds any wish and any fantasy, in spite of every attempt to subdue her, torture her or satiate her. Alula is a fetishist for her nature: any object of adoration, girdles, g-strings, minidresses, leather corsets, leather suits, chains and stiletto heels, boots, collars and leashes, all fit perfectly to her.

Yet They could never cover her, lock her up or subjugate her. While fitting in any fetish, Alula goes beyond any object, any cage and any desire. Natalia and Alula Be Bop are coupled by an indissoluble spiritual and erotic twinning. It would be hard to say wheather Alul represents Natalia's soul, or the contrary. It is very striking, however, that Alula is irresistibly attracted by Natalia's carnality, enclosed by sensual rubber. And that Natalia is at the same time fatally attracted by Alula's clear, absolute eroticism.

As for us, every time we slip into a pair of leather boots or a latex suit, dreaming of being Natalia, we are really trying to wake up the Alula who is inside us, and we are intending to imitate her without reaching her. Therefore, Alula is bound to be our dream and our model

La storia del fumetto ha conosciuto molte eroine sexy, dalla casta Jane alla fantascientifica Barbarella. Molte di esse sono venute dall'Italia, basti pensare a Valentina di Crepax, a Mona Street di Frollo, ai personaggi di Manara. Ma Alula Be Bop ha un carattere particolare, che la differenzia da tutti gli altri personaggi, del fumetto e del cinema. E la differenzia anche da qualsiasi donna reale, malgrado la rassomiglianza (non voluta dal creatore di Alula, il fumettista Max Capogna, ma decisa dal destino) con la famosa pornostar SaRenna Lee.

Alula nasce come carica erotica pura, che prorompe non solo dalle forme sovrabbondanti ma dal suo atteggiamento assolutamente aperto a tutte le possibilita dell'erotismo. Provocatoria per natura eppure innocente nell'atteggiarsi, Alula attraversa tempo, spazio e personaggi apparentemente imperturbabile, candida e immediatamente disposta a qualsiasi avventura senza preclusioni: con uomini, donne ed esseri di ogni natura, attiva e passiva, sadica e masochista. Malgrado ogni tentativo di soggiogarla, torturarla o saziarla, il suo corpo eccede sempre ogni desiderio e ogni fantasia. Alula e feticista per natura: qualsiasi oggetto di adorazione, guepiere, tanga, mini-vestito, corsetti di cuoio, tute di latex, catene e tacchi a spilli, stivali, collari e guinzagli le si adattano perfettamente.

Eppure non riuscirebbero mai ne a rivestirla ne a rinchiuderla ne a soggiogarla. Alula si adatta a ogni feticcio ma va al di la di ogni oggetto, di ogni gabbia e di ogni desiderio. Natalia e Alula Be Bop sono accoppiate da un indissolubile gemellaggio spirituale ed erotico. Difficile dire se Alula rappresenti l'anima di Natalia o il contrario. Balza all'occhio comunque Alula e irresistibilmente attratta dalla carnalita, circondata di sensuale gomma, di Natalia, mentre Natalia e fatalmente attratta dal limpido erotismo assoluto di Alula.

Quanto a noi, ogni volta che ci infiliamo un paio di stivali di cuoio o una tuta di latex, sognando di essere Natalia, tentiamo in realtà di risvegliare l'Alula che e in noi, tendiamo a imitarla senza mai raggiungerla. Percio Alula e destinata a essere per sempre il nostro sogno e il nostro modello.

It's the place where repressed fantasies of people become reality: the man who is able to gain the access for the dual world, finds another himself, or better the one desired to be in daydreams. Dual beings can live in both dimensions, the one dual and the other real, transforming themselves in whatever they want whenever they want, and make everything they ever desired to do. Sadly, Alula, endowed with an untameable an wild sexual fantasy, is absolutely incapable to control her inner and stolen instincts choosing the wrongest moments to transform herself in a blonde babe, with exceptional curves and always hungry of pure sex.

 

 



She is a 25 years old girl, who lives in Aames, South California, where she lazily works as an archivist in the local public library. Shy, absent-minded and tiny, her head is always in the clouds, in her daydream world. Her biggest dream is to be a real California girl, with astonishing curves, so that she could easily dizzy every man and excite every women envoy, just to have crowds of males by her feets and fully satisfy her unspeakable sexual fantasies.

 


A big bulky man, with morbid and fetsih crazes, he is the director of the library where Alula works, always trying to find the way to inflict perverse sexual punishments upon the poor babe.


Goldsmith and miniaturist for Queen Elizabeth and James 1st, he completed the Second Seal.


cruel lesbian witch, she sentences Nicholas Hilliard to live in the dual world, until he will re-establish the power of the ancient golden bars, then rendering her powerful and able to submit the entire planet to her power.

During the conquer of Perù, after capturing the Inca's Emperor Atahualpa, the Spanish ventured as far as Cuzco. In a strong battle, they defeated the last defenders of the Capital, laying it waste and despoiling it of each good. In the Temples of the Sun Virgins (the Cuzco one counted more than 1.500 women) lived these priestess recruited between girls, that the special officers chooses in each community and that were Jailed in institutes until the moment when the Inca would decide of their destiny. The ones that won't become concubines for the Emperor, distributed to other officers or reserved for human sacrifices, were allotted to a temple. There, they prepared foods for sacred ceremonies, as in particular one called "chicha". Each institute was subdued to the authority of a woman, who was considered as the wife of the Sun God. To seduce a Sun Virgin was considered as an outrage to His majesty the Emperor, and who lingered with one of them, was condemned to death together with the keepers who beared the fact.The Sun Virgins were also the keepers of an important religious tradition, which began in the centuries before, with their ancestors, called Mochica. They had the custody of the precious Golden Bars, roaring magic phalluses. These massive tools had the base made by precious stones, representing the two testicles, both linked with a little chain made by an unknown metal. Once a year, in front of the whole Royal Family, the rite was celebrated, and it propitiates the coming of a good season. A Virgin was subdued to double penetration with the golden bars: they have the power to give to any woman an incredible and continuous orgasm, until the conscience loss, caused by the fabulous pleasure. The more the Virgin could resist to the pleasure of the golden bars, the more the season could have been good for earth and people. After the ceremony, the Inca would wash himself with the juices secreted by the Virgin, by now won by the orgasm. Then, all the Court and the dignitaries would join her. The rite ended with the death of the girl, whom the golden bars were fixed to, until an heartbrake, falling heavily under the orgasm. Francisco Pizarro, after the rope at Cuzco Sanctuary, did not allowed the destruction of the golden bars, wanted and tried by the Franciscans who followed the expedition, and he secretly sent the golden bars, as a present, to the Queen of Spain. But during the voyage the Galleon that carried the bars was despoiled and sinked by English pirates, that, known about the power of the tools, wanted to bring 'em to the Queen of England. Sadly, the bars did not arrived integral in England, because the chain which colleagued them was broken and founded irreparable: they lost their power, but Queen Elizabeth, if only she could test and enjoy them, she would charge her trustworthy goldsmith to repair them. And here we have our Nicholas Hilliard, who began to work on the second seal... The artist, after many years of attempts, was finally able to repair the bars, but a powerful witch of the times, called Miriax, wanted them for her magical rites, to multiply and enhance her power, with the project to dominate the entire world. Hilliard destroyed again the chain of the bars: Miriax couldn't discover the secret of the metal the chain was made of. So she decided to transform Hilliard in Puk, a bizarre goblin, condemned to live in the dual world. The only way to cancel the spell was to find a girl with a great and special fantasy, to transform her in a dual being and make her enjoy the golden bars, to wash himself with her juices, and become safe.

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